Owen Suskind, an autistic child, is completely unable to communicate — totally cut off from the world. Years of therapy and interventions have been fruitless. Until one day, sitting in the kitchen with his father,…
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Category:
Character
Narrative pleasure relies on a bunch of underlying ideas: that good and evil exist; that people can change; that change isn’t easy; that the effort to change and improve should result into a reward (see…
This ending is a part of TV history now. (Spoilers ahead.) Walter White, mortally wounded, alone. His hand on the machinery he’d been using to demonstrate his immense talent for cooking meth. The Felina episode…
You know the rule of thumb: reduce dialogue as much as you can in your script. Whenever possible, avoid it. Sometimes, though, one line of dialogue is better than a silent beat. For example,…
Read the Post‘The Fugitive': using one line of dialogue to convey characterization