David Seidler, the screenwriter of The King’s Speech, in his childhood was himself a stutterer. As a kid, after moving with his family from the UK to New York City, his parents made him listen…
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Paolo Braga
If you asked me a few days ago for a good example of a song beautifully paying off over a movie’s final credits, my answer [spoiler follows] would have been Gloria Gaynor’s I Will Survive…
The “dangerous liason” between the protagonist and the antagonist. It is a classic topic in screenwriting handbooks and blogs. The same could be said of antagonist classifications, a classic exercise for screenwriting geeks. Since I…
Owen Suskind, an autistic child, is completely unable to communicate — totally cut off from the world. Years of therapy and interventions have been fruitless. Until one day, sitting in the kitchen with his father,…
More than 170 participants from all over the world, 120 presentations, interesting Q&As. Over the weekend of September 13-15, Università Cattolica del Sacro Cuore in Milan hosted the 11th Screenwriting Research Network Conference. (You can…
Read the PostDiscussing Writers’ Rooms at the Milan SRN Conference